Laura Quinney, in her book Literary Power and the Criteria of Truth, mentions some of Wittgenstein’s perspicacious remarks on Freud. Since I’d earlier talked about Ernest Gellner’s criticism of Freud as well as his criticism of Wittgenstein, this neatly closes the circle. The great irony is that Wittgenstein’s remarks more or less articulate the substance of Gellner’s criticism of Freud.
If you are led by psychoanalysis to say that really you thought so and so or that really your motive was so and so, this is not a matter of discovery, but of persuasion. In a different way you could have been persuaded of something different. Of course, if psychoanalysis cures your stammer, it cures it, and that is an achievement. One thinks of certain results of psychoanalysis as a discovery Freud made, as apart from something persuaded to you by a psychoanalyst, and I wish to say this is not the case.
Freud in his analysis provides explanations which many people are inclined to accept. He emphasizes that people are disinclined to accept them. But if the explanation is one which people are disinclined to accept, it is highly probable that it is al so one which they are inclined to accept. And this is what Freud had actually brought out. Take Freud’s view that anxiety is always a repetition in some way of the anxiety we felt at birth . He does not establish this by reference to evidence-for he could not do so. But it is an idea which has a marked attraction. It has the attraction which mythological explanations have, explanations which say that this is all a repetition of something that has happened before. And when people do accept or adopt this, then certain things seem much clearer and easier for them. So it is with the notion of the unconscious also.
Freud is constantly claiming to be scientific. But what he gives is speculation – something prior even to the formation of an hypothesis.
Freud was influenced by the 19th century idea of dynamics an idea which has influenced the whole treatment of psychology. He wanted to find some one explanation which would show what dreaming is. He wanted to find the essence of dreaming. And he would have rejected any suggestion that he might be partly right but not altogether so. If he was partly wrong, that would have meant for him that he was wrong altogether-that he had not really found the essence of dreaming.
Freud refers to various ancient myths in these connexions, and claims that his researches have now explained how it came about that anybody should think or propound a myth of that sort . Whereas in fact Freud has done something different. He has not given a scientific explanation of the ancient myth. What he has done is to propound a new myth. The attractiveness of the suggestion, for instance, that all anxiety is a repetition of the anxiety of the birth trauma., is just the attractiveness of a mythology. “It is all the outcome of something that happened long ago.” Almost like referring to a totem.
Analysis is likely to do harm. Because although one may discover in the course of it various things about oneself, one must have a very strong and keen and persistent criticism in order to recognize and see through the mythology that is offered or imposed on one. There is an inducement to say, ‘Yes, of course, it must be like that.’ A powerful mythology.
Rush Rhees describes Wittgenstein’s position toward Freud as follows:
He admired Freud for the observations and suggestions in his writings ; for “having something to say” even where, in Wittgenstein’s view, he was wrong. On the other hand, he thought the enormous influence of psychoanalysis in Europe and America was harmful-“although it will take a long time before we lose our subservience to it”. To learn from Freud you have to be critical; and psychoanalysis generally prevents this.
Wittgenstein’s concern, that Freud and psychoanalysis would broach no criticism of its authority, is the focal point of Gellner’s sociological attack. Wittgenstein accepts the meat of Gellner’s criticism of Freud, while still insisting on Freud’s importance. And that is about the truth of it all. So for me, Wittgenstein is the winner.
Finishing off the examination of Ernest Gellner and his well-meaning but somewhat pig-headed Enlightenment Fundamentalist Rationalism, we come to his attack on psychoanalysis, The Psychoanlaytic Movement: The Cunning of Unreason. This book was published in 1985, 35 years after Words and Things,his attack on Wittgenstein and ordinary language philosophy.
Like Words and Things, it is a centaur, half-sociology and half-philosophical critique, and just as ill-tempered. It is a better book than Words and Things, because the game is much bigger. Here, Gellner is going after an intellectual and social movement a million times more successful, and at least several times more dubious.
The attack is successful, but as with Words and Things, the centaur form of the book makes it a mixed success. I will try to separate the threads and pick out the book’s vital core from the sometimes shaky surrounding membrane.
Because it is so much more an inviting sociological target, and because the sociology of psychoanalysis is that much more mixed in with its underlying philosophy (i.e., the patient-therapist relationship), psychoanalysis is in many ways the perfect subject for Gellner, ripe for the sort of attack that ordinary language philosophy didn’t seem to merit.
The danger is his being too obvious or unoriginal. Adolf Grunbaum has carefully critiqued the theoretical work of psychoanalysis, while George Makari’s Revolution in Mind: The Creation of Psychoanalysis showed the bizarre evolution and personal flaws of the movement’s leaders. Both are books Gellner would not have bothered to write. Gellner’s task rather is to place a quicker critique of that sort into a larger sociological framework.
Consequently, there is a sense at times that Gellner is struggling to make more out of the material than there is. Having identified the endless flaws of psychoanalytic theory and how they yielded a hegemonic power structure in the psychoanalytic community, Gellner has to walk a line between the dangers of (a) restricting his critique to Freud and his direct scions and thus letting the larger societal trend get away, and (b) extending his critique to psychotherapy in general and thus reducing the theory to mere therapeutic practice in all its myriad forms.
Gellner’s solution is to approach things genealogically. By showing how Freud’s initial paradigm caught fire and appealed to the bourgeois masses, he can indict both Freudian psychoanalytic theory as well as its less-direct consequences today, which are the polluted offspring of a manipulative intellectual charlatan. This is his goal, anyway. Ultimately, the minute particulars of psychoanalytic theory and practice seem to fall away in favor of a sociological exploration of psychotherapy in general, which is still heavily influenced, as are we all, by Freud’s ideas.
In some ways Freud is an easier target than a more obscure thinker like Austin or Ryle because a good chunk of his thinking has been absorbed into the common argot. His tripartite psyche, repression, the unconscious, and assorted other concepts have become ubiquitous cultural abstractions even if they aren’t metaphysical entities. So what’s left over seems even more objectionable because we take the less objectionable stuff for granted.
And yet just as Wittgenstein eluded Gellner’s grasp, Freud dodges Gellner’s shots better than the rest of the psychoanalytic community. This is not because Freud’s theory is so very defensible, but because Gellner is attacking it on grounds on which it has never been seriously judged. By 1985 psychoanalysis was definitely not seen as the sort of science that you’d find in the DSM (however dubious that might be), yet its therapeutic children continued unabated.
The story that George Makari tells in Revolution in Mind is that of psychoanalysis emancipating itself from the empirical sciences and going into pure speculation and mythology, often excessively so. Yet if anything this probably aided in its success. As Gellner says:
A purely hermeneutic psychoanalysis would not sound like science, confer no power, and few men would turn to it in distress; a purely physicalist or biological psychoanalysis would have been too much like a science, and no fun. But the plausible-sounding fusion of both is very different, and most attractive.
Ernest Gellner, The Psychoanalytic Movement
Yet as the “science” is quite loose, it’s rather pointless to attack the ideas for not being scientifically grounded, at least in 1985. It’s akin to criticizing Hegel for misunderstanding Sophocles or, indeed, criticizing Freud for misunderstanding Sophocles. It doesn’t teach us anything about their success.
No matter what ridiculous claims Freud made for his theory being “scientific,” psychoanalysis was never even provisionally held to the sort of rigorous standard to which Wittgenstein held his own thoughts, or else it would have collapsed. The scientific rhetoric was necessary, as Freud well knew, to getting his project off the ground and initially accepted in the medical and psychological community, but it became secondary once success was assured. The interesting story is not psychoanalysis pretending to be a science, but psychotherapy’s underlying Freudian groundwork surviving the debunking of those scientific claims.
As the Freudians are still fond of quoting:
if often he was wrong and, at times, absurd, to us he is no more a person now but a whole climate of opinion
under whom we conduct our different lives . . .
W. H. Auden, In Memory of Sigmund Freud
Freud was an incisively creative mind, which Gellner acknowledges, and in conjunction with his brilliant self-marketing, he managed to gain an astonishing amount of traction for some of his psychological metaphors and models. That his theories were held to be science among several influential groups for quite some time is one depressing measure of his success.
Gellner succeeds, however, when he tries to understand the success rather than attacking the theory.
Two stories emerge, related but distinct. First there is Freud the empire-builder, who keeps reins on psychoanalysis and jealously guards the keys to his process and movement. Freud was indeed autocratic, though not quite the tyrant Gellner makes out. Makari shows Freud as a self-doubting genius (albeit one who is careerist, unethical, narcissistic, and a plagiarist) who had good reason to keep control, as most of his followers are far from his intellectual equal. Of the Freudians, Ferenczi and Melanie Klein acquit themselves without too much damage but do not impress, while Carl Jung and Anna Freud come off very badly indeed.
Makari’s book is far more successful than Gellner’s in showing the poison that went around in these circles, and his lack of a blatant axe to grind allows the twisted process to emerge organically. Gellner is right to see Freud as a demagogue of a sort, but he really can’t be bothered to do the background.
Yet this does not prove fatal to Gellner. The second story, and the one Gellner is more effective in telling, is the large scale story of the success of psychoanalysis and consequently psychotherapy in general. Here Gellner can deal with the received ideas of psychoanalysis in general and try to figure out its place in society.
Somewhat ironically, Gellner must consequently credit Freud with having pulled off something amazing in selling his wares to the public. But what did he sell? A secular mythos and practice.
One way of seeing the ideological achievement of Sigmund Freud is to understand that he has constructed a solid, non-conjectural, support-providing world, something that had disappeared from our life; that he invented a technique for supplying this commodity made-to-measure for individual consumers; and that he had erected it using exclusively modern, intellectually acceptable bricks.
Ernest Gellner, The Psychoanalytic Movement
Freud’s achievement, then, was appealing to a societal neurosis (I use that term ironically) in an instinctive, brilliant way, and offering a solution that was less an idea than a ritual. It is a cutting of the Gordian knot of modernism, of God-is-Deadism, as Gellner points out in a fairly compelling comparison with Nietzsche.
Gellner sometimes puts it as the need for an authority (the therapist), but the better way to put it is the need to find a stable, validated frame narrative for one’s existence. The accomplishment of psychoanalysis is to turn this process not into a one-time fix (which would never work), but into a repeated ritual to shore up the authority.
Again, the irony. By identifying a neurosis that requires ritual treatment, Gellner very nearly excuses the psychoanalytic requirement for potentially unending treatment. He points out a number of problems of modernity which Freudian practice claims to solve, two of which are particularly spot-on:
The Weberian problem of a ‘disenchanted’, cold, impersonal world. The modern world is in fact bound to be such: cognitive growth goes jointly with specialised, single-strand cognitive inquiry, which inevitably separates the intellectual exploration of the world from personal relations, values, and the hierarchical ordering of society. Freud restored a form of cognition which, while articulated in an impeccably modern idiom, and seemingly part of medicine and science, was firmly locked in with a hierarchical and comforting personal relation, and with values and the hope of personal salvation. Thus a reality is reenchanted, and its enchantment is permanently serviced, albeit at a price.
The Durkheimian problem of reuniting cognition, ritual, and social order. Psychoanalysis has or is an astoundingly effective ritual, adapted to an individualist age, engendering all those affective consequences which Durkheim associated with ritual, and indeed separating the sacred and profane with all the neatness which that theory postulated.
To offer a persuasive solution to so fundamental a set of problems, and to offer them in a way that the solution is lived out rather than merely thought, ratified by both ritual and an intense personal relationship, and generally not consciously thought out at all, is an astonishing achievement.
I find this extremely compelling, not least because it seems so obvious after reading it that Freud provided one very dominant mythos of our age. (Others helped out too, as did amorphous cultural processes.) Foucault and others had already been here, but this is the best summation I have read, and a testament to Gellner’s intuitive thinking.
Those philosophers today who ask for a reenchantment of reality to brighten our supposedly cold, industrialized world do not realize that we have already reenchanted our mental frameworks as much as any past culture, albeit in a more tenuous and somewhat neurotic way. But any further reenchantment would require religious dogmatism, so I’m not complaining.
I think Paul Ricoeur’s Freud and Philosophy does a good job of explaining in depth what Freud contributed in this direction. If Freud was a philosopher, he is best thought of as hermeneutic.
Gellner’s statements about the analyst as shaman, the analyst as mystic, the analyst as deity, are interesting and sometimes compelling, but they detract from his more powerful point that the raw practice itself is what’s successful, not the particulars of the relationship. Hence why psychotherapy continues even as classical psychoanalysis has waned.
Core elements of the original framework remain, of course, which is why Freud survives even if psychoanalysis mostly does not. Gellner points out that one key technique is providing a safe space for the externalization of one’s inner demons: that is, treating them as demons, not one’s conscious self.
The flaw of the Freudian Unconscious is not that it constitutes a scandalous inversion of conscious proprieties, but that it remains far, far too close to them. Freudianism is a kind of animism. It projects (rightly or wrongly), on to forces outside our consciousness, the kind of trait or attribute which our culture had habitually attributed to our conscious activity. As in other forms of animism, this is combined with the claim that these spirits of the deep can be understood, conjured up, appeased and rendered harmless only by certain practitioners of mysteries, members of a restrictive guild with specialised initiation rites.
Yet the guild has opened up now, and the process remains, with whatever bits of the theory have been appropriated by the collective societal consciousness. Not surprisingly, most of these do come from Freud himself rather than his less brilliant followers.
Consequently, Gellner’s position is weakened a bit. Because psychoanalysis qua theory proves to be a bit of a red herring (you don’t need the Oedipus Complex and the Death-Instinct for psychotherapy to be successful), the therapist doesn’t come out looking too bad. An expensive luxury? Certainly. A disingenuous practitioner? Perhaps. But having acknowledged the contemporary human’s unstinting desire for a healthier structure/mythos for understanding–or perhaps more accurately, simplifying—one’s own life, Gellner is too quick to assess that the result is unavoidably meaningless.
There is a pragmatic evaluative process, albeit not a terribly scientific one, which is the practical terms of the individual patient’s life. This was the process that slowly killed off psychoanalysis proper. Today, in the absence of a proper theory, evaluations are now performed ad hoc. Such case-by-case evaluations guarantee mixed results at best and gross abuses of power at worst, but psychotherapy is not the self-validating closed system that psychoanalysis-the-theory was. Such systems survive only by opening up, and I think that Freud laid the groundwork for that himself by reversing and revising his positions over the course of his life.
So oddly, Gellner makes the case that psychotherapy was more or less an inevitable coping mechanism that needed to arise given the conditions of modernity. If Freud had not existed, society would have had to invent him. (And, indeed, society did invent its version of him, throwing out the psychosexual and anthropological esoterica it could not use and keeping the basic model and method.) Gellner would like it if we could shrug off those needs and abandon the enchantments that psychotherapy and psychotherapeutic metaphors provide, but since he’s made such a powerful case for why they’re so appealing, it doesn’t seem very likely. Genuine science is never enough. Something always gets piled on top, and frequently it’s called science too.
The grave issue remains that Freud’s absolutist claim to truth for his theory was necessary if psychoanalysis were to gain purchase, so that it could then, under some duress, shrug off its claims to absolute knowledge in favor of a more humble, pragmatic stance and then live on more deftly as psychotherapy. Alas, though, this is the paradox of all of the human “sciences”: we only ever hear about the ones that started with absurd hubris.
(Gellner is the bowling ball. Wittgenstein is the 7-10 split.)
Ernest Gellner’s Words and Things was Gellner’s scathing attack on ordinary language philosophy. It caused a fuss in 1959 and made Gellner’s name after Gilbert Ryle refused to review it and Bertrand Russell angrily defended it. How valid was the critique?
This is not just a historical exegesis, but an object lesson in the hopes that older disputes no longer quite so relevant to us can guide us to principles useful in current debates where we lack the benefit of distance. In short, Gellner is right on sociology and wrong on the philosophy, especially Wittgenstein. But the reasons for that are complicated.
Ordinary language philosophy was the mid-century movement represented nowadays by J.L. Austin and Gilbert Ryle, though it’s telling that Gellner quotes some of the lesser-known lights of that scene to make his most scathing attacks. In addition to Austin and Ryle, he rips on the far more obscure G.J. Warnock and John Wisdom, who do give Gellner some of his juiciest material. I haven’t read either of the latter two, but it seems entirely possible they were strident, less than brilliant exponents of the linguistic turn.
Ryle doesn’t offer up such foolish statements, so Gellner’s critique is broader there: Ryle has drawn the focus away from science and toward trivialities by wanting to analyze the concept of mind rather than mind itself. And Austin is simply a knight-errant whose obsession with the most quotidian of conversational gambits is theological angel-counting.
Gellner has generally kind words for logical positivism and A.J. Ayer and Bertrand Russell, who wrote the preface, again putting him dangerously close to the movement he is attacking. And he ignores perhaps the strongest and most wide-ranging mind to be associated with the movement, P.F. Strawson, as well as Americans like Quine. So it is a bit of a chimera that Gellner is attacking, in that he attributes to a collective a dogma that perhaps even its most strident members didn’t fully adhere to.
One could accuse Gellner of cherry-picking, and I think it’s a fair charge, but I think it’s more enlightening to see that Gellner was criticizing a culture, not a philosophy, one that existed at Oxford in the 1950s and that Gellner experienced first hand. Gellner was a social scientist more than he was a classical philosopher, and his rage is less about ideas per se than about the people who hold them and how they hold him. As an avowed disciple of what he termed Enlightenment Fundamentalist Rationalism, he was guided, more than anything else, by the idea of fallibility and the need for constant doubt:
There are no privileged Sources or Affirmations, and all of them can be queried. In inquiry, all facts and all features are separable: it is always proper to inquire whether combinations could not be other than what had previously been supposed. In other words, the world does not arrive as a package-deal—which is the customary manner in which it appears in traditional cultures—but piecemeal. Strictly speaking, though it arrives as a package-deal, it is dismembered by thought.
Cultures are package-deal worlds; scientific inquiry, by contrast, requires atomization of evidence. No linkages escape scrutiny. Empiricist theory of knowledge claimed that information actually arrives in tiny packages (which is false as a descriptive account); but the lesson learnt was that it should be treated as if it was so broken up. Such breaking up of clusters fosters critical revaluation of world-pictures.
This reexamination of all associations destabilizes all cognitive anciens règimes. Moreover, the laws to which this world is subject are symmetrical. This levels out the world, and thereby ‘disenchants’ it, in the famous Weberian expression. This is the vision. Note again, it desacralizes, disestablishes, disenchants everything substantive: no privileged facts, occasions, individuals, institutions or associations. In other words, no miracles, no divine interventions and conjuring performances and press conferences, no saviours, no sacred churches or sacramental communities. All hypotheses are subject to scrutiny, all facts open to novel interpretations, and all facts subject to symmetrical laws which preclude the miraculous, the sacred occasion, the intrusion of the Other into the Mundane.
But what is perhaps absolutized and made exempt is the method itself. And the method leaves its shadow on the world: it engenders an orderly, symmetrical Nature. The orderliness of inquiry leaves its shadow, and appears as an orderly, unique nature. This is the proper sense which is to be attributed to the Kantian doctrine that we ‘make’ our world: an orderly, systematic, law-bound Nature is really the shadow of our cognitive procedure.
Ernest Gellner, Postmodernism, Reason, and Religion: I Choose You, Bachelorette #2
[Okay, I made up the subtitle.]
What Gellner could not stand were closed systems of thought that were not vulnerable to evidentiary invalidation: religion, Marxism, and psychoanalysis being three popular forms. Behind Gellner’s sociological description of the maneuvers employed by his nemeses lies his true frustration:
There is an undeniable element of truth in Polymorphism, both logically and empirically. As a matter of simple fact it is true that languages are complicated and consist of a variety of activities. It is also, perhaps, a necessary truth that any language that does anything worth while has to contain elements or tools of radically different types, and so cannot be internally entirely homogeneous and simple. Nevertheless, the exaggerated use of Polymorphism * by Linguistic Philosophy is disastrous and unjustifiable. Its weaknesses are similar to those of the three fallacies outlined previously with which it is closely associated. It is an attempt to undermine and paralyse one of the most important kinds of thinking, and one of the main agents of progress, namely intellectual advance through consistency and unification, through the attainment of coherence, the elimination of exceptions, arbitrarinesses, and unnecessary idiosyncracies. It in effect tends to underwrite all current concepts, however useless, anachronistic, inconsistent. For linguistic philosophers conceive their philosophical thought to be the undermining of general models and of models as such, as models-only the actual ungeneral description of an usage is philosophically “aseptic”, and commendable.
*The “57 Varieties” way of doing philosophy, as it has been wittily described by Professor S. Kömer.
Ernest Gellner, Words and Things
He no doubt saw ordinary language philosophy as another, as it “dissolved” one problem after another as linguistic rather than real. This for Gellner is cowardice. Making G.E. Moore into a Chance the Gardener figure, he compares him to Wittgenstein’s ideal:
Some philosophers have considered the deliberate suspension of belief, of the natural attitude, to be of the essence of philosophy. Husserl called it the epoche, a kind of putting-of-the-world-in-brackets and suspending judgment so that one could have a better look.
The essence of Moore is a kind of inverted epoché. He refused to put the world in any brackets.
Moore’s inverted epoché, his conviction or principle that things in general were substantially as they seemed, reappears in Wittgenstein and in Linguistic Philosophy proper with a rationale –namely, that assertions to the effect that things are radically other than they seem are always misuses of language. In brief, Moore displayed many of the characteristics of Linguistic Philosophers, without being led to them by the ways and reasoning of Wittgensteinianism. He did by nature that for which Wittgenstein’s Revelation found reasons.
One might say that G.E. Moore is the one and only known example of Wittgensteinian man: unpuzzled by the world or science, puzzled only by the oddity of the sayings of philosophers, and sensibly reacting to that alleged oddity by very carefully, painstakingly and interminably examining their use of words. . . .The philosophical job is to persuade us of the adequacy of ordinary conceptualisations. It is the story of Plato over again–only this time it is the philosopher’s job to lead us back into the cave.
Ernest Gellner, Words and Things
For Gellner, this “adequacy” is synonymous with complacency and cultural conservatism. I.e., it is the attempt of the Oxford don to keep the world as the comfortable place that it is.
I am a bit sympathetic to this critique, as I suspect the ordinary language orthodoxy of the 1950s genuinely was overbearing and vexing to those upstarts who wished to pursue a less linguistic direction. Yet of course anything can serve as a closed system, if its believers are sufficiently recalcitrant, and any orthodoxy can be and often is overbearing and vexing to upstarts. You don’t need Duhem, Quine, and Kuhn in order to believe that people generally are hesitant to lose faith in the systems to which they have pledged themselves. People are apt to overextend their systems as well. (See C.D. Darlington and, time and again, David Hume and xkcd.)
Nevertheless, Marxism and psychoanalysis, among others, have attracted somewhat more cult-like followings than other systems. It’s probably a good thing Gellner didn’t spend too much time around Heideggerians, otherwise we would have gotten a book on them. Gellner limits himself to a single dismissive remark:
On the side of Continental philosophy, a greater and greater cult of paradox and obscurity, an appetite which feeds on what it consumes and, as with a galloping illness, hardly allows the imagination to conceive its end: who can outdo Heidegger?
Ernest Gellner, Words and Things
The issue is to what extent this cult-like environment is entailed by the system at hand. The criterion that Gellner uses to judge the level of closure of philosophical systems, which I think is a good one, is that of mysticism. At one end is the scientific method by which everything is (supposedly) falsifiable; at the other end is wholly unjustified religion. These two quotes, both of which invoke the phrase “curiously reminiscent,” should give some idea of where ordinary language philosophy stands for Gellner on that spectrum:
The doctrine that philosophy must wither away as we become acquainted with the patterns of our use of words is curiously reminiscent of the Marxist view that the State will wither away.
This main fallacy of Wittgenstein’s which remained with him throughout his life can indeed be expressed more dramatically as the notion that there is such a thing as “seeing the world rightly”. Thus Linguistic Philosophy, the doctrine that philosophy is an activity, is a spiritual exercise that confirms the faith which calls for the exercise to begin with. It is in this respect, as in others, curiously reminiscent of psychoanalysis.
Ernest Gellner, Words and Things
The ultimate bounty of Words and Things is Wittgenstein, whom Gellner would go after in other books as well. There is no question that Wittgenstein is an arch-enemy for Gellner just as much as Russell is a comrade-in-arms. I think Gellner saw Wittgenstein’s abandonment of the semi-reasonable (yet still too mystical) logical atomism of the Tractatus as a betrayal of the human obligations of doubt and secular progress, in effect a turn to religion.
Wittgenstein and his ordinary language followers represent, to Gellner:
The abandonment of serious, relevant issues for conjured, spurious ones.
The unquestioning faith of a mystic and the corresponding influence on blind followers.
These are two different charges, which I’ll call Charge (1) and Charge (2). Gellner co-mingles them but especially with Wittgenstein they need to be separated. My own view is that the first charge is ungrounded but that the second one is at least somewhat legitimate.
As to Charge (1) of spuriousness, Gellner overlooks the internal developments within logical positivism, and the difficulties that Carnap’s Aufbau and other attempts to regiment the world had faced. In fact, he does attack logical atomism as an early example of Wittgenstein’s faith-based reasoning, with Wittgenstein assuming that there are logical simples out there but not needing to go to the trouble of finding any. But Gellner doesn’t seem to want to acknowledge the implications of the failure of logical positivism and verificationism.
In addition, Gellner gets Wittgenstein wrong on a number of points, a problem that persists when he treats Wittgenstein’s later work. This is probably the most damning aspect of the book and the one that still causes people to dismiss it. I can’t defend Gellner here: he felt the need to go after the substance as well as the context, and he couldn’t be bothered to give it a fair shot. To be fair, Wittgenstein is seriously difficult and many of his adherents got him wrong too, and many still aren’t sure if they’re even right; but in general, the closer Gellner gets to Wittgenstein’s philosophy, the less convincing he is.
But in separating language philosophy from all other philosophical problems, Gellner also ignores the more general continuum that was being set up. Language, reality, and logic were not coalescing in the way that was promised, and it was not producing an “orderly, unique nature.” Godel’s blow to systems of logic showing them to be necessarily incomplete was perhaps the most crushing inner defeat, but language itself was refusing to conform as well. In this way Gellner was very similar to Russell, who saw the problems Wittgenstein raised with his Theory of Knowledge, but could not bring himself to reject the general empiricist basis behind them. (See David Pears’ The False Prison for more on this.)
Because syntactic or indeed semantic theories of language haven’t really worked out, and pragmatics have become more and more important, you can call Austin et al. naive, dogmatic, boring, or just plain sloppy, but you can’t quite call them wrong, at least not in the way one would call logical positivism wrong.
The problem is that Gellner’s Enlightenment Fundamentalist Rationalism sets up very strict criteria by which one can make sweeping statements about things like the worthlessness of a school of philosophy, and human languge is such a mess that Gellner’s attempt to hold the fort on reasonably simple, naive theories of meaning cannot clear the bar that his own principles have set for him.
That leaves Gellner other avenue of attack for Charge (1), his objection to Pyrrhonistic and therapeutic attitudes of ordinary language philosophy. I do not see this attack as sufficiently grounded either, as science has offered similar prescriptions. The healing of our “folk psychological” ideas is just one of the more prominent recent examples of “seeing the world rightly.” Hence why Dennett’s Consciousness Explained was dubbed Consciousness Explained Away, Consciousness Ignored, etc. These attitudes may be better grounded scientifically, but the attitudes remain similar.
And Pyrrhonic and therapeutic attitudes are hardly new: Epicurus, Nagarjuna, Sextus Empiricus, Lucretius, and many others have always offered the claim that truth would set us free from at least some of our worries and obsessions. These attitudes, when deployed pathologically, are an offense to knowledge and curiosity, but Gellner simply slams the attitudes in toto without allowing for their inevitable presence in all domains. They can never be stamped out. I’m sure Gellner knew this, but his enthusiasm got the better of him.
Onto Charge (2), of the mythification of Wittgenstein. Everything I have read suggests a strong degree of truth to the veneration and almost deification of Wittgenstein. He had an aura of remote brilliance about him and people speak of attending his classes as they would of attending the speeches of a prophet. I think Gellner is very psychologically keen about Wittgenstein.
This main fallacy of Wittgenstein’s which remained with him throughout his life can indeed be expressed more dramatically as the notion that there is such a thing as “seeing the world rightly.”
Wittgenstein was indeed driven by a need for certainty, for clarity, for indisputable assertions. There is no doubt this was a pathological need, and it informs the less attractive aspects of his philosophy: a general arrogance and an unwillingness to accept, even momentarily, provisional or partial measures in explanations and analyses. Both of these are present in his demand to see the world rightly.
Wittgenstein’s brilliance and integrity prevented him from taking easy solutions, however, and Gellner does not seem to have realized this, presumably because he did not take Wittgenstein’s project seriously. Wittgenstein’s stubbornness and general refusal to accept criticism except from within does not make it any easier, but the fact remains that Wittgenstein could not allow himself to do what he continually said he wanted to do, which is give up philosophy. He wouldn’t stop until he knew he saw the world rightly, and I’m pretty sure he never would have believed he did. Gellner has made an accurate diagnosis but has misstated the symptoms.
Yet Wittgenstein’s personality did engender a more rigid orthodoxy, which was not helped by the stridency of Ryle. Again, however, Gellner goes too far in conflating philosophy and culture. The orthodoxy of computational linguistics was just as strong for many years, yet it did not arise from any particular mysticism of beliefs, just from a remarkably charismatic and brilliant founder.
Wittgenstein was an exceptional case, however, and the combination of his gnomic discourse and his yearning, spiritual frustration was captivating to some and toxic to people like Gellner. (I don’t believe Gellner ever met Wittgenstein, but that he formed an idea of him based on interacting with his acolytes, an idea perhaps even more mythic and titanic than the reality.) It is right to be wary of any such elevation, and it is here that Gellner gets closest to explaining the cultural etiology of the more mediocre language philosophy he is attacking, and the blind faith that does play a part in it.
It’s a curious error to conflate ideas (Charge (1)) and culture (Charge (2)), and particularly curious when a keen social scientist like Gellner makes it. It’s not the only time he did it: The Psychoanalytic Movement: The Cunning of Unreason indicts Freud and his followers on similar grounds, though with far more success. Freud, like Wittgenstein, was a near-demagogic bringer of truth who also suffered from acute self-doubt and revised his own theories repeatedly, while bridling at the slightest criticism from others. In both cases, Gellner ties the figures and their followers too rigidly to the ideas in play, as though there was an exact parallel correspondence between the sociological power dynamics at work and the underlying theories themselves.
It produces a peculiar sort of alienation: people are expressing and asserting themselves through ideological systems and forms of argument rather than through emotional dynamics. My own belief has generall been that this gets it the wrong way round: ideological reconstructions are post hoc justifications for personal and emotional conflicts that owe little (but not nothing) to the intellectual matters at hand. The ideas coyuld have easily been different; the emotions and games of power are so often the same.
In response to Stefan Collini’s article on Ernest Gellner in the London Review of Books, Sarah Gellner wrote a letter detailing personal memories of her father and his opinions. I don’t think this needs any commentary other than to say that her account coheres with my general picture of Gellner Sr., and that it perhaps holds some clues to understanding better the intellectual milieus he both inhabited and fought against, particularly their limitations.
It was good to read Stefan Collini’s attempt to get a grip on the difficult and contradictory person that was my father, Ernest Gellner; an attempt I’ve been making and failing at all my life (LRB, 2 June). Funny, Dad’s professional reluctance to occupy a ‘field’, the point that everyone makes about him. Actually, ‘field’ in the academic sense was one of his favourite terms. ‘That’s not your field’; ‘What’s his field?’ As a pony-mad girl, I, like Weber apparently, found this mildly amusing, but my father wasn’t being funny.
I never got on with him. I believed he never liked me, never admired anything I did, made me feel constantly inadequate and disappointing, if not downright embarrassing. Perhaps the problem was due simply to my being a certain type of woman. Whatever else he was, Ernest Gellner was not a feminist. Anyone familiar with his work would agree that the absence of interest in gender in his anthropological and sociological output is striking given that, as Collini says, he wasn’t a man to let his own ignorance on any subject hold him back. I think that, sensing his own instincts here were out of place, he never found anything acceptable to say on the subject. Many of his favourite jokes were frankly unacceptable. ‘Rape, rape, rape, all summer long’ was one. But that didn’t hold him back in private.
So although most of what Collini writes is spot on, as far as I can judge, I think he is wrong to call him a sexual liberal. If there was one thing Dad disliked more than feminists, it was homosexual men. He was not happy to receive a request in the 1980s, asking for him to support the lowering of the gay age of consent to 16. I remember being baffled by his appeal to me on quasi-feminist grounds: that this would make young men vulnerable in just the same way I claimed young women already were. ‘So you think the age of consent for girls should be raised to 21?’ I asked. He just walked away. Perhaps this is all part of the elusive unlikeability Collini is looking for. I think so. My father was frank and honest to a fault about many things, but not about everything, and not always about himself.
Politically, he and I were on opposite sides in the 1980s. He was enamoured of Margaret Thatcher, just when my left-wing fervour was at its peak. He also hated the Guardian. His closest friends then, and later, were conservatives; Ken Minogue, Oliver Letwin’s mother, Shirley. He had long since fallen out with Ralph Miliband, I believe on political grounds. In earlier decades he might have voted Liberal, but never Labour, in the deep Tory countryside where I grew up in the 1960s and 1970s. Labour was nowhere there; all the daring bohemian types voted Liberal. My father loved it there, in the English Tory heartland; they were the happiest days of his life.
Sarah Gellner London SE11
In general I enjoy Ernest Gellner’s writing even when I find him to be too dismissive of speculative theorizing, but I do think that details like the ones Sarah Gellner provides are integral to his intellectual stance, and not irrelevant personal peccadilloes.
A few years ago, Rod Humble wrote a short, abstract game called The Marriage. The action consists of trying to get two squares not to shrink or fade out while circles drift around them. You control the blue circle. The pink circle is not under your direct control.
But the game interests me less than the rhetoric of Humble’s explanation for the game. I really am not picking on Humble here, who seems like a reasonable person. It’s just worth observing how utterly foreign his analogical mindset is from that of the best writers.
He wrote the game in an attempt to get away from concrete, visual representation of ideas and concepts, yet what resulted was something conceptually very concrete.
Here is his interpretation that guided the game’s construction:
The game is my expression of how a marriage feels. The blue and pink squares represent the masculine and feminine of a marriage. They have differing rules which must be balanced to keep the marriage going.
The circles represent outside elements entering the marriage. This can be anything. Work, family, ideas, each marriage is unique and the players response should be individual.
The size of each square represents the amount of space that person is taking up within the marriage. So for example we often say that one person’s ego is dominating a marriage or perhaps a large personality. In the game this would be one square being so large that the other one simply is trapped within the space of it unable to get to circles and more importantly unable to “kiss” edge to edge.
The transparency of the squares represents how engaged that person is in the marriage. When one person fades out of the marriage and becomes emotionally distant then the marriage is over.
Your controls reveal the agency of the game. You are only capable of making the squares move towards each other at the same time or removing a circle by sacrificing the size of the pink square. You are playing the agency of Love trying to make the system of the marriage work. Not only does this mean that the mechanics of attraction and sacrifice communicate love but also the physical way the game is controlled, I wanted a gentle almost stroking like feel to playing the game, that’s why clicking or rapid motion was not appropriate.
The backdrop’s colour has meaning. It starts off blue representing the world of the masculine. The club scene perhaps or adventures and exuberant experimentation. It then over time transitions to purple a mix of blue and pink representing the beginnings of a more permanent relationship. Then to pink as we enter fully the world of the feminine such as a home made together or emotionally the relationship becoming more kind. Next onto green colour of life and renewal, this represents a giving back to the world by the marriage, perhaps creatively, perhaps by having children or caring for others. Finally it becomes black symbolizing that at the end of the marriage when life is done there is nothing but each other. The only break in the blackness is at the bottom, where the strip of light representing memories of the marriage has been built up.
The game mechanics are designed such that the game is fragile. Its easy to break. This is deliberate as marriages are fragile and they feel fragile, I wanted to get this across.
The final part of the game comes if the marriage ends while the backdrop is black. At every point the two squares have kissed during the game a pair of tiny squares is created and drift off the screen, as the last one leaves the game ends.
Now, without getting into heavy analysis, some points should already be clear.
The incredible literalness of the mapping from game elements to concepts.
The stripped-down simplicity of the conceptual vocabulary in order to allow for such a literal mapping.
The received nature of the concepts, taking stereotypical notions like the blue masculine and the pink feminine in order to obtain an easily-grasped mapping.
(In 1910 pink was considered a very masculine color, so the symbols are culturally relative, but some relatively common symbol set within a community must always exist, and is probably always trite by its very nature.)
None of these are inherently bad tendencies. In many ways, they are necessary ones for making playable games. But the risks and problems of applying such an ambiguous conceptual vocabulary onto a literal representation should be apparent as well. It encourages a fallback onto the most common of common knowledge in order to make such a mapping comprehensible. Subjective metonymy within a simple framework (the “stroking feel” being linked to love, the various meanings of all the colors) is the key dynamic at work.
But it’s not even the particular symbols used (pink feminine, blue masculine), so much as the need for such a simple framework itself. Let’s say we need two things in a game to represent the male and the female. Is there anything satisfactory that isn’t either reductive or opaque?
The Mars and Venus gender symbols
Sword and pillow
Square and circle
Drum and cymbal
Hot dog and donut
The use of pink and blue didn’t produce a more sophisticated set of symbols, just a less blatant set. The metonymy was at the same concrete level as any of the duos above. And it applies to metonyms like the transparency equating to engagement.
It is the mindset of a Gene Wolfe, then, where every element, no matter how obscure, has a single definite meaning, rather than the mindset of a James Joyce, where the embrace of ambiguity and contradiction on lexical, semantic, and structural levels yields greater riches than a single postulated meaning.
My contention is that this sort of Platonic, atomistic thinking goes hat in hand with the sort of thinking used in constructing and utilizing scientific models of the world, as opposed to the messier business of human language and human relationships where a far greater degree of ambiguity is both acceptable and accommodated. This ambiguity inevitably leads to misunderstanding, sometimes destructively (say, in a marriage). The question is whether sufficient clarity can be achieved without adopting such a reductive, game-like model. Otherwise, you’ve adopted a view of the world (or of love, or of a marriage) that could easily fail you.
Ironically, this is the sort of analysis often performed in literary criticism. Thomas Karshan’s recent article on Nabokov in the TLS quoted this scabrous response from Nabokov in response to W. W. Rowe’s finding sexual innuendos in Pale Fire such as “wick” in “wickedly folding moth”:
The various words that Mr. Rowe mistakes for the “symbols” of academic jargon, supposedly planted by an idiotically sly novelist to keep schoolmen busy, are not labels, not pointers, and certainly not the garbage cans of a Viennese tenement, but live fragments of specific description, rudiments of metaphor, and echoes of creative emotion. The fatal flaw in Mr. Rowe’s treatment of recurrent words, such as “garden” or “water”, is his regarding them as abstractions, and not realizing that the sound of a bath being filled, say, in the world of Laughter in the Dark, is as different from the limes rustling in the rain of Speak, Memory as the Garden of Delights in Ada is from the lawns in Lolita.
Vladimir Nabokov
Nabokov appeals to a hermeneutic holism that defeats such easy metonymic models. It’s not that the richer worlds of which he speaks cannot be quantified as such, just that the vocabulary required is so dauntingly extensive as to require lived human experience. No such sophisticated symbolic model for this experience yet exists, and I don’t see one coming any time soon. A model cannot capture the live fragments of which Nabokov speaks. When rendering such fragments in a game, the abandonment of complexity disguises itself by using a sufficiently obscure model, so that the model does not seem banal.
Nabokov hated Freud and psychoanalysis (hence the veiled reference to Vienna), and indeed, this sort of atomistic symbolism makes me think of something Ernest Gellner said about psychoanalysis in The Cunning of Unreason: the psychoanalytic model had to walk the line between scientific precision and mythical ambiguity so as not to seem banal or spurious.
A purely hermeneutic psychoanalysis would not sound like science, confer no power, and few men would turn to it in distress; a purely physicalist or biological psychoanalysis would have been too much like a science, and no fun. But the plausible-sounding fusion of both is very different, and most attractive.
Ernest Gellner, The Cunning of Unreason
And weaker writers rely on exactly this careful navigation between the Scylla of simplistic allegory and the Charybdis of pointless ambiguity, so that they may seem profound when they really are not. I am thinking her of Alberto Moravia’s endless rationalism, where there is a neatly placed psychological explanation for every character trait and every movement proceeds from the careful arrangement of forces logically arrayed. (See The Conformist.) Moravia does it so well that the ultimate weakness of construction is a shame. (Removing the explanations, as was done in the wonderful movie of L’Ennui, can produce amazing results.)
L'Ennui: "I could tell you what I'm thinking but it would make the movie less interesting."
I know: The Marriage is just a game. Humble did not mean to make any sweeping statement about marriage in general, and the game is clearly so personal to him that I feel a little bad using it to exemplify a certain type of thinking. But speaking just personally, if my partner wrote this game and explained the game to me in that way, I would be frightened out of my wits.
Update: Rod Humble has responded kindly in the comments, and I appreciate his openness to discussion and critique. I also wanted to point out Derek Badman’s essay on Lewis Trondheim’s Bleu, since comics rely on the sort of abstracted narrative visual representation that games do as well. Bleu “tells” of the interaction of a green blob with two stars and two dots. To the best of my knowledge, there is no “key” to the abstraction. Yet the similarity is striking!
